MEET THE READER: "Why I Hate - Really Hate - Writing Synopses"

When covering a screenplay for a studio or a production company, the analyst’s brief is to read the script, write a synopsis, and then pen an assessment. Ray Morton shares four main elements a synopsis must present and why it pays off to put in the work to make your screenplay structurally sound to avoid a PASS from a reader. Read More...

From Page to Screen—'A Wrinkle in Time'

Joy Cheriel Brown compares the adaption of the Disney film 'A Wrinkle in Time' to its source children's novel, exploring which liberties the screenwriters took and left behind in adapting the novel to screen.

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INTERVIEW: ‘Boss Level’ writer/director Joe Carnahan

'Boss Level' writer/director Joe Carnahan shares his filmmaking journey with Script's Editor, Sadie Dean. Plus, what a writer should focus on when writing action films, his excitement for making movies, why it pays off to put in the time and work hard on your craft, and he sprinkles in some wisdom for writers on writing. Read More...

Mastering the Conventions of Horror Writing

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This genre is truly a writer’s medium: If you can present a new version of an old concept and scare us on the page, your script can sell. Plus, there is always room for innovation and creativity within the field. That’s why horror is a natural choice for many a screenwriter. Learn More...

Free Screenwriting Resources

If you’re looking for free screenwriting tips and advice to help kick-start your writing career, then you’ll love our vast selection of free downloads. From learning how to write a script the right way to how to beat writer’s block, you’ll find something that will help you increase your chances of success! Read More...

Sadie Dean

Sadie is the Editor of Script. She has been serving the screenwriting community for nearly a decade by providing resources, contests, consulting, events, and education for writers across the globe. Sadie’s work has been optioned and has had her work produced as well. Additionally, she was a 2^nd rounder in the Sundance Screenwriting Lab and has been nominated for The Humanitas Prize for a TV spec with her writing partner. Sadie has also served as a Script Supervisor on projects for WB, TBS and AwesomenessTV, as well as many independent productions. She has also produced music videos, short films and a feature documentary film. Twitter @SadieKDean